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Ennis Fruhauf
MirrorriM
and SonataNotes
Perspectives for Carillon is a set of compositions written in a contemporary tonal idiom and sharing thematic and stylistic links. The collection includes MirrorriM, Sonata, Abracadabra, Serenade, and Passacaglia.
The first of the series, MirrorriM, presents two of Perspectives’ three associated themes in the format of a binary structure: at its midpoint, MirrorriM reflects backward on itself (as does its title), note for note and rhythm for rhythm. Its harmonic language drifts in and out of impressionistic and free octatonic tonalities. Above all, it is a contrapuntal work that makes use of thematic overlap (imitation and stretto), melodic inversion, augmentation, and mirror and retrograde.
Sonata is set in a traditional single-movement sonata form (with an optional repeat of the exposition). Its first thematic group is based on the opening material of Mirrorrim, while its second theme is drawn from Abracadabra.
Sonata makes considerable technical demands on the performer with its driving rhythms, use of double pedaling, and its unceasing movement from beginning to end. The potential for dramatic and energetic expression poses a challenge to any who would undertake its realization on the carillon.
The music of Perspectives offers a marked contrast to the main body of music for carillon featured in this series, with venturesome harmonic languages and tonalities, large-scale formal structures, and advanced technical demands.
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